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Episode II: Attack of the Clones

unused footage: scenes 51 - 60

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55 - EXT. THEED, RESIDENTIAL AREA, SIDE STREET - AFTERNOON

PEOPLE are passing through the little street, OLD MEN are sunning themselves, WOMEN are gossiping, KIDS are playing.

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ANAKIN, PADMÉ and ARTOO turn onto a side street. ANAKIN is back in his Jedi robes. PADMÉ wears a beautiful simple dress. She stops, beaming.

PADMÉ
There's my house!

PADMÉ starts forward; ANAKIN hangs back.

PADMÉ (continuing)
What? Don't say you're shy!

ANAKIN (untruthfully)
No, but I...

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Suddenly, there are shouts from two little girls, RYOO (age 6) and POOJA (age 4). They come running toward PADMÉ.

PADMÉ
Ryoo!! Pooja!!

PADMÉ scoops up RYOO and POOJA and hugs them.

PADMÉ (cont’d)
Go wake up Artoo.

RYOO & POOJA
Artoo!!!

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As they see the droid, they hug him. ARTOO WHISTLES and BEEPS. PADMÉ laughs. ANAKIN and PADMÉ go on toward the house. The GIRLS stay and play with ARTOO.


56 - INT. PADMÉ'S PARENTS' HOUSE, MAIN ROOM - AFTERNOON

SOLA, PADMÉ'S beautiful older sister, comes in from the kitchen carrying a big bowl of food.

SOLA (over her shoulder)
They're eating over at Jev Narran's later, Mom. They just had a snack. They'll be fine.

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SOLA puts the bowl down on the table, where ANAKIN, PADMÉ and RUWEE NABERRIE (PADMÉ's father) are coming into the room.

SOLA (cont’d)
Padmé! (hugging her) You’re late. Mom was worried.

PADMÉ
We walked. Anakin, this is my sister, Sola.

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SOLA
Hello, Anakin.

ANAKIN
Hello.

SOLA sits, as JOBAL NABERRIE (PADMÉ's mother) comes in with a heaped bowl of steaming food.

PADMÉ
...and this is my mother.

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JOBAL
You're just in time for dinner. I hope you're hungry, Anakin.

ANAKIN
A little.

PADMÉ
He's being polite, Mom. We're starving.

RUWEE (grinning)
You came to the right place at the right time. Sit down, son.

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EVERYONE sits and starts passing food.

JOBAL (to PADMÉ)
Honey, it's so good to see you safe. We were so worried.

PADMÉ gives JOBAL a dirty look. RUWEE smiles as he watches.

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RUWEE
Dear...

JOBAL
I know, I know... but I had to say it. Now it's done.

SOLA
Well, this is exciting! Do you know, Anakin, you're the first boyfriend my sister's ever brought home?

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PADMÉ (rolls her eyes)
Sola!! He isn't my boyfriend! He's a Jedi assigned by the Senate to protect me.

JOBAL
A bodyguard?! Oh, Padmé! They didn't tell us it was that serious!

PADMÉ
It's not, Mom, I promise.
(glances at Jobal)
Anyway, Anakin's a friend. I've known him for years. Remember that little boy who was with the Jedi during the blockade crisis?

They nod.

PADMÉ (continuing)
He grew up.

JOBAL
Honey, when are you going to settle down? Haven't you had enough of that life? I certainly have!

PADMÉ
Mom, I'm not in any danger.

RUWEE (to Anakin)
Is she?

ANAKIN
...Yes... I'm afraid she is.

PADMÉ (quickly)
But not much.


57 - EXT. PADMÉ'S PARENTS' GARDEN - AFTERNOON

ANAKIN and RUWEE are walking.

RUWEE
Sometimes I wish I'd traveled more... but I must say, I'm happy here.

ANAKIN
Padmé tells me you teach at the university?

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RUWEE (nodding)
Yes, and before that, I was a builder. I also worked for the Refugee Relief Movement when I was very young.


Additional images: here, here


58 - INT. PADMÉ'S PARENTS' HOUSE, MAIN ROOM - AFTERNOON

PADMÉ, SOLA and JOBAL are clearing the table.

SOLA
Why haven't you told us about him?

PADMÉ
What's there to talk about? He's just a boy.

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SOLA
A boy? Have you seen the way he looks at you?

PADMÉ
Sola - stop it!

SOLA
It's obvious he has feelings for you. Are you saying, little baby sister, that you haven't noticed?

PADMÉ
I'm not your baby sister, Sola. Anakin and I are friends... our relationship is strictly professional.
(to Jobal)
Mom, would you tell her to stop it?

SOLA (laughing)
Well, maybe you haven't noticed the way he looks at you. I think you're afraid to.

PADMÉ
Cut it out.

JOBAL
Sola's just concerned... we all are.

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PADMÉ
Oh, Mom, you're impossible. What I'm doing is important.

JOBAL
You've done your service, Padmé. It's time you had a life of your own. You're missing so much!



59 - EXT. PADMÉ'S PARENTS' GARDEN - AFTERNOON

ANAKIN and RUWEE are walking in the garden. RUWEE stops and faces ANAKIN directly.

RUWEE
Now tell me, son. How serious is this thing? How much danger is my daughter really in?

ANAKIN
There have been two attempts on her life. Chances are there'll be more. My Master is tracking down the assassins. I'm sure he'll find out who they are. This situation, won't last long.

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RUWEE
I don't want anything to happen to her.

ANAKIN
I don't either.


60 - INT. PADMÉ'S PARENTS' HOUSE, PADMÉ'S ROOM - AFTERNOON

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PADMÉ throws some things into a bag.

PADMÉ
Don't worry, this won't take long.

ANAKIN
I just want to get there before dark.

PADMÉ goes on packing. ANAKIN looks around the room.

ANAKIN (continuing)
You still live at home.

PADMÉ
I move around so much, I've never had a place of my own. Official residences have no warmth. I feel good here. I feel at home.

ANAKIN
I never had a real home. Home was always where my Mom was.

ANAKIN picks up a framed hologram.

ANAKIN (continuing)
Is this you?

The hologram shows PADMÉ at age seven or eight surrounded by forty or fifty little green creatures. She is holding one in her arms. They are all smiling hugely.


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PADMÉ
That was when I went with the relief group to Shadda-Bi-Boran. Their sun was imploding, and the planet was dying. I was helping to relocate the children. See that little one I'm holding? His name was N'a-kee-tula, which means sweetheart. He was so full of life. All those kids were. They were never able to adapt... to live off their native planet.

ANAKIN picks up another hologram. It shows PADMÉ at age ten or eleven. She is wearing official robes and standing between two robed legislators. Her expression is severe.

PADMÉ (continuing)
My first day as an Apprentice Legislator. Notice the difference?

PADMÉ pulls a face. ANAKIN grins. She continues packing. ANAKIN sets the two holograms down side by side - the beaming little girl, and the stern, unsmiling adolescent.



EXT. CORUSCANT, LANDING PLATFORM - LATE AFTERNOON and
INT. JEDI TEMPLE, YODA'S QUARTERS - LATE AFTERNOON

(scenes removed from the 3rd draft screenplay for continuity)

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